soteriology images
page 2
notes
The projected images make up the body of the findings as I have organised them. They are reasonably consistent in that they are all black and white photographs with signs. My colleages also inform me that most have green exit signs in distinction to the monochrome environment in which they appear. Others possess other highlighted green signs such as bs5466-9 and number 14 or other colours such as the first bs5466-1 or number 8.
As the principle body of work of the Nag Hammadi re-investigation, they can be seen to be most emblematic of Blind Sam's concerns. See this fragment regarding this. Jaldaboath was trying to find redemption through this investigation into modern environments. But Why? Why not look elsewhere?
PhotographySoteriologyintroductionprojections 1projections 2projections 3projections 4projections (b&w)the persistence portfolionight exitsthe interviewmiscellaneous imagesartefactsre-gaining sightarctic digsNight Signsintroduction and imagesThe Fact ProblemimagesStructures of Knowledgeimages Lives in representationimages 1images 2Flowersimages
TeachingDigital 1 Spring 05Digital 2 Spring 05Digital Printmaking Summer 05Digital 1 ARPH201 Spring 06Special Processes ARPH361 Spring 06Digital 1 ARPH201 Spring 07Digital 1 ARPH201 Spring 07Contemporary Art History ARHS451 Fall 07


