The 'root' area of study that must be acknowledged is simply that of art. This descends into involvement with digital photography and imaging, and photographic/photomechanical processes through my phd thesis. The areas that I'm most concerned about are the nature of photographic imaging and the opaque relationship between 3D software imaging (and its methods) and the photographic image; and the material photograph.

A project that is being created as I write, between myself, Andrew Eason and Mark Paterson will be looking into alternative representations of space, through photographic and non-sight methods centred around a narrative of a psycho-geographer's perambulations. This could have an involvement with a psycho-geographic XML specification as a way of threading the project's parts together.